Black and white photograph of Lucille Clifton.

A prolific and widely respected poet, Lucille Clifton's work emphasizes endurance and strength through adversity, focusing particularly on African-American experience and family life. Awarding the prestigious Ruth Lilly Poetry Prize to Clifton in 2007, the judges remarked that “One always feels the looming humaneness around Lucille Clifton’s poems—it is a moral quality that some poets have and some don’t.” In addition to the Ruth Lilly prize, Clifton was the first author to have two books of poetry chosen as finalists for the Pulitzer Prize, Good Woman: Poems and a Memoir, 1969-1980 (1987) and Next: New Poems (1987). Her collection Two-Headed Woman (1980) was also a Pulitzer nominee and won the Juniper Prize from the University of Massachusetts. She served as the state of Maryland's poet laureate from 1974 until 1985, and won the prestigious National Book Award for Blessing the Boats: New and Selected Poems, 1988-2000 (2000). In addition to her numerous poetry collections, she wrote many children's books. Clifton was a Distinguished Professor of Humanities at St. Mary's College of Maryland and a Chancellor of the Academy of American Poets.

Clifton is noted for saying much with few words. In a Christian Century review of Clifton's work, Peggy Rosenthal commented, "The first thing that strikes us about Lucille Clifton's poetry is what is missing: capitalization, punctuation, long and plentiful lines. We see a poetry so pared down that its spaces take on substance, become a shaping presence as much as the words themselves" In an American Poetry Review article about Clifton's work, Robin Becker commented on Clifton's lean style: "Clifton's poetics of understatement—no capitalization, few strong stresses per line, many poems totaling fewer than twenty lines, the sharp rhetorical question—includes the essential only."

Clifton's first volume of poetry, Good Times (1969), was cited by the New York Times as one of the ten best books of the year. The poems, inspired by Clifton’s family of six young children, show the beginnings of Clifton’s spare, unadorned style and center around the facts of African-American urban life. Clifton's second volume of poetry, Good News about the Earth: New Poems (1972), was written in the midst of the political and social upheavals of the late 1960s and 70s, and its poems reflect those changes, including a middle sequence that pays homage to black political leaders. Writing in Poetry, Ralph J. Mills, Jr., said that Clifton's poetic scope transcends the black experience "to embrace the entire world, human and non-human, in the deep affirmation she makes in the teeth of negative evidence." However, An Ordinary Woman (1974), Clifton's third collection of poems, largely abandoned the examination of racial issues that had marked her previous books, looking instead at the writer's roles as woman and poet. Helen Vendler declared in the New York Times Book Review that Clifton "recalls for us those bare places we have all waited as 'ordinary women,' with no choices but yes or no, no art, no grace, no words, no reprieve." Generations: A Memoir (1976) is an "eloquent eulogy of [Clifton's] parents," Reynolds Price wrote in the New York Times Book Review, adding that, "as with most elegists, her purpose is perpetuation and celebration, not judgment…There is no sustained chronological narrative. Instead, clusters of brief anecdotes gather round two poles, the deaths of father and mother." The book was later collected in Good Woman: Poems and a Memoir: 1969-1980, which was nominated for a Pulitzer Prize along with Next: New Poems (1987).

The book that followed Clifton’s dual Pulitzer nomination, Quilting: Poems 1987-1990 (1991), also won widespread critical acclaim Using a quilt as a poetic metaphor for life, each poem is a story, bound together through history and figuratively sewn with the thread of experience. Each section of the book is divided by a conventional quilt design name—"Eight-pointed Star" and "Tree of Life"—which provides a framework for Clifton’s poetic quilt. Clifton's main focus is on women's history; however, according to Robert Mitchell in American Book Review, her poetry has a far broader range: "Her heroes include nameless slaves buried on old plantations, Hector Peterson (the first child killed in the Soweto riot), Fannie Lou Hamer (founder of the Mississippi Peace and Freedom Party), Nelson and Winnie Mandela, W. E. B. DuBois, Huey P. Newton, and many other people who gave their lives to [free] black people from slavery and prejudice."

Enthusiasts of Quilting included critic Bruce Bennett in the New York Times Book Review, who praised Clifton as a "passionate, mercurial writer, by turns angry, prophetic, compassionate, shrewd, sensuous, vulnerable and funny....The movement and effect of the whole book communicate the sense of a journey through which the poet achieves an understanding of something new." Clifton's 1993 poetry collection, The Book of Light, contains poems on subjects ranging from bigotry and intolerance, epitomized by a poem about controversial U.S. Senator Jesse Helms; destruction, including a poem about the tragic bombing by police of a MOVE compound in Philadelphia in 1985; religion, characterized by a sequence of poems featuring a dialogue between God and the devil; and mythology, rendered by poems about figures such as Atlas and Superman. "If this poet's art has deepened since ... Good Times, it's in an increased capacity for quiet delicacy and fresh generalization," remarked Poetry contributor Calvin Bedient, declaring that when Clifton writes without "anger and sentimentality, she writes at her remarkable best." Lockett concluded that the collection is "a gift of joy, a truly illuminated manuscript by a writer whose powers have been visited by grace."

Both The Terrible Stories (1996) and Blessing the Boats: New and Selected Poems, 1988-2000 (2000) shed light upon women's survival skills in the face of ill health, family upheaval, and historic tragedy. Blessing the Boats is a compilation of four Clifton books, plus new poems, which, Becker noted in her review for American Poetry Review, "shows readers how the poet's themes and formal structures develop over time." Among the pieces collected in these volumes are several about the author's breast cancer, but she also deals with juvenile violence, child abuse, biblical characters, dreams, the legacy of slavery, and a shaman-like empathy with animals as varied as foxes, squirrels, and crabs. She also speaks in a number of voices, as noted by Becker, including "angel, Eve, Lazarus, Leda, Lot's Wife, Lucifer, among others ... as she probes the narratives that undergird western civilization and forges new ones."

A Publishers Weekly reviewer concluded that the collection "distills a distinctive American voice, one that pulls no punches in taking on the best and worst of life." The volume was awarded the National Book Award. Renee Olson reported on the award for Booklist that "Clifton was cited for evoking 'the struggle, beauty, and passion of one woman's life with such clarity and power that her vision becomes representative, communal, and unforgettable.'" In Mercy (2004), Clifton's twelfth book of poetry, the poet writes about the relationship between mothers and daughters, terrorism, prejudice, and personal faith. Clifton’s next book, Voices (2008), includes short verses personifying objects, as well as poems on more familiar terrain. Reviewing the book for the Baltimore Sun, Diane Scharper commented on the impetus of Clifton’s title: “Each section explores the ways the poet relates to voices: from those spoken by inanimate objects to those remembered to those "overheard" in the titles of pictures. Serving as a medium, the poet speaks not only for those things that have no voice, but also for the feelings associated with them.”

Lucille Clifton was also a highly-regarded author for children. Her books for children were designed to help them understand their world and facilitate an understanding of black heritage specifically, which in turn fosters an important link with the past. In books like All Us Come Cross the Water (1973), Clifton created the context to raise awareness of African-American history and heritage. Her most famous creation, though, was Everett Anderson, an African-American boy living in a big city. Clifton went on to publish eight Everett Anderson titles, including Everett Anderson’s Goodbye (1984), which won the Coretta Scott King Award. Connecting Clifton’s work as a children’s author to her poetry, Jocelyn K. Moody in the Oxford Companion to African American Literature wrote: “Like her poetry, Clifton's short fiction extols the human capacity for love, rejuvenation, and transcendence over weakness and malevolence even as it exposes the myth of the American dream.”

Speaking to Michael S. Glaser during an interview for the Antioch Review, Clifton reflected that she continues to write, because "writing is a way of continuing to hope ... perhaps for me it is a way of remembering I am not alone." How would Clifton like to be remembered? "I would like to be seen as a woman whose roots go back to Africa, who tried to honor being human. My inclination is to try to help."

[Updated 2010]



  • Good Times, Random House (New York, NY), 1969.
  • Good News about the Earth: New Poems, Random House (New York, NY), 1972.
  • An Ordinary Woman, Random House (New York, NY), 1974.
  • Two-Headed Woman, University of Massachusetts Press (Amherst, MA), 1980.
  • Good Woman: Poems and a Memoir, 1969-1980, BOA Editions (Brockport, NY), 1987.
  • Next: New Poems, BOA Editions (Brockport, NY), 1987.
  • Ten Oxherding Pictures, Moving Parts Press (Santa Cruz, CA), 1988.
  • Quilting: Poems 1987-1990, BOA Editions (Brockport, NY), 1991.
  • The Book of Light, Copper Canyon Press (Port Townsend, WA), 1993.
  • The Terrible Stories, BOA Editions (Brockport, NY), 1998.
  • Blessing the Boats: New and Selected Poems, 1988-2000, BOA Editions (Brockport, NY), 2000.
  • Mercy: Poems, BOA Editions (Brockport, NY), 2004.
  • Voices, BOA Editions (Brockport, NY), 2008.


  • The Black BCs (alphabet poems), illustrations by Don Miller, Dutton (New York, NY), 1970.
  • Good, Says Jerome, illustrations by Stephanie Douglas, Dutton (New York, NY), 1973.
  • All Us Come 'cross the Water, pictures by John Steptoe, Holt (New York, NY), 1973.
  • Don't You Remember?, illustrations by Evaline Ness, Dutton (New York, NY), 1973.
  • The Boy Who Didn't Believe in Spring, pictures by Brinton Turkle, Dutton (New York, NY), 1973.
  • The Times They Used to Be, illustrations by Susan Jeschke, Holt (New York, NY), 1974.
  • My Brother Fine with Me, illustrations by Moneta Barnett, Holt (New York, NY), 1975.
  • Three Wishes, illustrations by Stephanie Douglas, Viking (New York, NY), 1976, illustrations by Michael Hays, Delacorte, 1992.
  • Amifika, illustrations by Thomas DiGrazia, Dutton (New York, NY), 1977.
  • The Lucky Stone, illustrations by Dale Payson, Delacorte (New York, NY), 1979, Yearling Books Random House (New York, NY), 1986.
  • My Friend Jacob, illustrations by Thomas DiGrazia, Dutton (New York, NY), 1980.
  • Sonora Beautiful, illustrations by Michael Garland, Dutton (New York, NY), 1981.
  • Dear Creator: A Week of Poems for Young People and Their Teachers, illustrations by Gail Gordon Carter, Doubleday (Garden City, NY), 1997.

Clifton's works have been translated into Spanish.


  • Some of the Days of Everett Anderson, illustrations by Evaline Ness, Holt (New York, NY), 1970.
  • Everett Anderson's Christmas Coming, illustrations by Evaline Ness, Holt (New York, NY), 1971, illustrations by Jan Spivey Gilchrist, Holt (New York, NY), 1991.
  • Everett Anderson's Year, illustrations by Ann Grifalconi, Holt (New York, NY), 1974.
  • Everett Anderson's Friend, illustrations by Ann Grifalconi, Holt (New York, NY), 1976.
  • Everett Anderson's 1 2 3, illustrations by Ann Grifalconi, Holt (New York, NY), 1977.
  • Everett Anderson's Nine Month Long, illustrations by Ann Grifalconi, Holt (New York, NY), 1978.
  • Everett Anderson's Goodbye, illustrations by Ann Grifalconi, Holt (New York, NY), 1983.
  • One of the Problems of Everett Anderson, illustrations by Ann Grifalconi, Holt (New York, NY), 2001.


  • (Compiler, with Alexander MacGibbon) Composition: An Approach through Reading, Harcourt (New York, NY), 1968.
  • Generations: A Memoir (prose), Random House (New York, NY), 1976.
  • Lucille Clifton Reading Her Poems with Comment in the Montpelier Room, October 24, 2002 (sound recoring), Archive of Recorded Poetry and Literature, Library of Congress (Washington, DC), 2002.
  • The Poet and the Poem from the Library of Congress. Lucille Clifton (sound recording), Archive of Recorded Poetry and Literature, Library of Congress (Washington, DC), 2002.

Contributor to Poetry of the Negro, 1746-1970, edited by Langston Hughes and Arna Bontemps, Doubleday (New York, NY), 1970; (with Marlo Thomas and others) Free to Be ... You and Me, McGraw-Hill (New York, NY), 1974; Free to Be a Family, 1987; Robert Kapilow's 03: This New Immense Unbound World (printed music), G. Schirmer (New York, NY), 2003; and other anthologies, including Norton Anthology of Literature by Women, Coming into the Light, and Stealing the Language. Has made numerous additional sound and video recordings of poetry readings. Contributor of poetry to the New York Times. Contributor of fiction to Negro Digest, Redbook, House and Garden, and Atlantic. Contributor of nonfiction to Ms. and Essence.

Further Readings


  • Beckles, Frances N., Twenty Black Women, Gateway Press (Baltimore, MD), 1978.
  • Black Literature Criticism, Gale (Detroit, MI), 1992.
  • Children's Literature Review, Volume 5, Gale (Detroit, MI), 1983.
  • Contemporary Literary Criticism, Gale (Detroit, MI), Volume 9, 1981, Volume 66, 1991.
  • Dictionary of Literary Biography, Gale (Detroit, MI), Volume 5: American Poets since World War II, 1980, Volume 41: Afro-American Poets since 1955, 1985.
  • Dreyer, Sharon Spredemann, The Bookfinder: A Guide to Children's Literature about the Needs and Problems of Youth Aged 2-15, Volume 1, American Guidance Service (Circle Pines, MN), 1977.
  • Evans, Mari, editor, Black Women Writers (1950-1980): A Critical Evaluation, Doubleday-Anchor (New York, NY), 1984.


  • America, May 1, 1976.
  • American Book Review, June, 1992, Roger Mitchell, review of Quilting: Poems 1987-1990, p. 21.
  • American Poetry Review, November-December, 2001, Robin Becker, review of "The Poetics of Engagement," p. 11.
  • Antioch Review, summer, 2000, interview by Michael S. Glaser, p. 310.
  • Belles Lettres, summer, 1993, Andrea Lockett, review of The Book of Light, p. 51.
  • Black Scholar, March, 1981.
  • Black World, July, 1970; February, 1973.
  • Booklist, June 15, 1991, p. 1926; May 1, 1997, p. 1506; August, 1996, Patricia Monaghan, review of The Terrible Stories, p. 1876; March 15, 2000, Donna Seaman, review of Blessing the Boats: New and Selected Poems, 1988-2000, p. 1316; January 1, 2001, p. 874.
  • Book World, March 8, 1970; November 8, 1970.
  • Bulletin of the Center for Children's Books, March, 1971; November, 1974, Zena Sutherland, review of Times They Used to Be; March, 1976; September, 1980, Zena Sutherland, review of My Friend Jacob.
  • Christian Century, January 30, 2002, p. 6.
  • Christian Science Monitor, February 5, 1988, p. B3; January 17, 1992, p. 14.
  • Horn Book, December, 1971, Anita Silvey, review of Everett Anderson's Christmas Coming; August, 1973; February, 1975; December, 1975; October, 1977; March, 1993, p. 229.
  • Interracial Books for Children Bulletin, Volume 5, numbers 7 and 8, 1975; Volume 7, number 1, 1976; Volume 8, number 1, 1977; Volume 10, number 5, 1979; Volume 11, numbers 1 and 2, 1980; Volume 12, number 2, 1981.
  • Journal of Negro Education, summer, 1974, Judy Richardson, review of All Us Come 'cross the Water.
  • Journal of Reading, February, 1977; December, 1986.
  • Kirkus Reviews, April 15, 1970; October 1, 1970; December 15, 1974; April 15, 1976; February 15, 1982.
  • Language Arts, January, 1978; February 2, 1982.
  • Library Journal, April 15, 2000, Louis McKee, review of Blessing the Boats, p. 95.
  • Ms., October, 1976, Harriet Jackson Scarupa, review of Good News about the Earth.
  • New Yorker, April 5, 1976, review of Generations: A Memoir.
  • New York Times, December 20, 1976.
  • New York Times Book Review, September 6, 1970; December 6, 1970; December 5, 1971; November 4, 1973; April 6, 1975, Helen Vendler, review of An Ordinary Woman; March 14, 1976, Reynolds Price, review of Generations: A Memoir; May 15, 1977, Christopher Lehmann-Haupt, review of Three Wishes; February 19, 1989, p. 24; March 1, 1992, Bruce Bennett, "Preservation Poets"; April 18, 1993, David Kirby, review of The Book of Light, p. 15.
  • Off Our Backs, July, 2001, p. 11.
  • Poetry, May, 1973, Ralph J. Mills, Jr., review of Good News about the Earth; March, 1994, Calvin Bedient, review of The Book of Light, p. 344.
  • Publishers Weekly, July 22, 1996, review of The Terrible Stories, p. 236; April 17, 2000, review of Blessing the Boats, p. 71.
  • Reading Teacher, October, 1978; March, 1981, review of My Friend Jacob.
  • Redbook, November, 1969.
  • Saturday Review, December 11, 1971; August 12, 1972; December 4, 1973.
  • School Library Journal, May, 1970; December, 1970; September, 1974, Rosalind K. Goddard, review of Times They Used to Be; December, 1977; February, 1979, Ruth K. MacDonald, review of Lucky Stone; March, 1980.
  • Southern Literary Journal, spring, 2002, p. 120.
  • Tribune Books (Chicago, IL), August 30, 1987.
  • Virginia Quarterly Review, fall, 1976, review of Generations: A Memoir; winter, 1997, p. 41.
  • Voice of Youth Advocates, April, 1982.
  • Washington Post, November 10, 1974, Lee A. Daniels, review of Times They Used to Be; August 9, 1979.
  • Washington Post Book World, November 11, 1973; November 10, 1974; December 8, 1974; December 11, 1977; February 10, 1980; September 14, 1980; July 20, 1986; May 10, 1987; February 13, 1994, p. 8.
  • Western Humanities Review, summer, 1970.
  • World Literature Today, autumn, 2000, Adele S. Newson-Horst, review of Blessing the Boats, p. 817.


  • Academy of American Poets Web site, (April 23, 2001).
  • Modern American Poetry Web site, (July 28, 2004), Jocelyn K. Moody, "About Lucille Clifton."
  • Poetry Society of America Web site, (July 28, 2004), "PSA Awards Winners."
  • St. Mary's College Web site, (July 28, 2004), "Lucille Clifton, Distingished Professor of the Humanities."
  • University of Buffalo Web site, (July 28, 2004), "Lucille Clifton."
  • University of Illinois English Department Web site, (April 23, 2001), "Modern American Poetry: About Lucille Clifton."
  • Voices from the Gaps: Women Writers of Color, (April 23, 2001).
  • Washington Post Online, (November 23, 2002), Steven Gray, "A Quiet Poet Gains the Spotlight, National Book Award Recognizes Work of St. Mary's College Professor."