Articles

Showing 1-20 of 1,177 articles
  • Prose from Poetry Magazine

    From the magazine:Fellowship in Exile

    By Laura Kraftowitz & Edward Salem

    This folio presents ten contemporary poets from nine countries, all of whom faced persecution, war, or genocide, as well as threats to their safety because of their writing.

    A worn suitcase containing green grass sits open in the middle of an eggshell-colored floor.
  • Prose from Poetry Magazine

    From the magazine:

    Writing Prompt: re-spelling

    By Jos Charles

    Which standards are you looking to deviate from? 

    A vase made of paper with a red paper flower is surrounded by crumpled up balls of paper in front of a sky blue background.
  • Prose from Poetry Magazine

    From the magazine:On Translating Daniel Durand

    By Jordan Landsman

    I am transported to his wry and melancholy Buenos Aires.

  • Prose from Poetry Magazine

    From the magazine:Editor’s Note, July/August 2026

    By Adrian Matejka

    Resilience is not an ideal, but is instead a fact of life for many poets across the globe. 

  • Prose from Poetry Magazine

    From the magazine:On Translating Václav Hrabě

    By C. E. Janecek

    Hrabě’s poems embody the Czech sixties literary scene, during which the Beat Generation’s literature permeated Czechoslovakia. 

  • Prose from Poetry Magazine

    From the magazine:On Translating Hélène Dorion

    By Susanna Lang

    A Canadian writer who has received recognition from quintessentially French institutions.

  • Prose from Poetry Magazine

    From the magazine:On Translating Manuel Becerra

    By Kristin Dykstra

    A poet with interests in cross-border
affinities in poetic history. 

    Headshot of Manuel Becerra
  • Prose from Poetry Magazine

    From the magazine:Galvanizing Textures

    By Marcus Jackson

    Street portraits and poetry depicting the unfolding nuances of under-heralded people’s veracity and beauty.

    Black and white photograph of three Black women crossing a busy city street holding Chik-fil-A bags and wearing face masks.
  • Prose from Poetry Magazine

    From the magazine:On Disgust: Gurgling Pits

    By Jane Wong

    Disgusting, isn’t it, how much we want to be loved?

    Various expressive faces, in frames, against a gray-green background.
  • Prose from Poetry Magazine

    From the magazine:On Nostalgia: Ever Cleaner, Ever More Pillowy

    By Boris Dralyuk

    Surely the experience of immigration reinforced my predilections, but some people are simply born looking backward.

    Various expressive faces, in frames, against a brown background.
  • Prose from Poetry Magazine

    From the magazine:On Fear: Radiant and Brimming

    By Hannah Bonner

    Where my ex deemed me unmaternal because of my writing, the opposite is true: I’m no good to anyone if I don’t preserve this one thing for myself.

    Various expressive faces, in frames, against a mid-blue background.
  • Prose from Poetry Magazine

    From the magazine:

    On Translating Halina Poświatowska 

    By Karolina Zapal & Ryan Mihaly

    There’s playfulness and a love of life set against the specter of death. 

  • Prose from Poetry Magazine

    From the magazine:

    On Translating Blaže Koneski

    By Kristian Josifoski

    Koneski’s contributions as a scholar, linguist, academic, poet, fiction writer, and translator were foundational in the development of Modern Macedonian literature.

  • Prose from Poetry Magazine

    From the magazine:

    Editor’s Note, May 2026

    By Adrian Matejka

    There’s no consistently iambic verse in the May issue, but there is—as always—form. 

  • Prose from Poetry Magazine

    From the magazine:

    A Poet of Magnitude and Intimacy: On Linda Gregg

    By David Semanki

    Gregg lived as she wrote, winnowing down life to bare essentials, which, in turn, made space for the visionary to reveal itself.

    Black and white portrait of Linda Gregg.
  • Prose from Poetry Magazine

    From the magazine:She Sang of Seeing

    By Sophie Cabot Black

    Her poems were lessons in how not to name things, but to instead evoke the outlines of what is seen.

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