Prose from Poetry Magazine

Prose from Poetry Magazine
From the magazine:
Wind Crossing Grasses: Poems from China’s Dragon Rivers
By Wang Ping
Prose from Poetry Magazine
From the magazine:How Pantoums Can Tell Intergenerational Stories
By River 瑩瑩 Dandelion
Prose from Poetry Magazine
From the magazine:
Writing Prompt: Pantoum
By River 瑩瑩 Dandelion
Prose from Poetry Magazine
From the magazine:
On Translating Dmitry Blizniuk
By Sergey Gerasimov
Prose from Poetry Magazine
From the magazine:
On Translating Kim Ok
By Ryan Choi
Prose from Poetry Magazine
From the magazine:
Editor’s Note, July/August 2025
By Adrian Matejka
Prose from Poetry Magazine
From the magazine:On Shame: In the Realm of Death and Awe
By Elaine Kahn
Prose from Poetry Magazine
From the magazine:On Neediness: Midnight Chimes
By Will Harris
Prose from Poetry Magazine
From the magazine:On Despair: It’s All a Charade
By Richard Hell
Prose from Poetry Magazine
From the magazine:
On Translating Nakahara Chūya
By Jeffrey Angles
Prose from Poetry Magazine
From the magazine:
On Translating Shizuka Omori
By Yuki Tanaka
Prose from Poetry Magazine
From the magazine:
On Translating bruno darío
By Kit Schluter
Prose from Poetry Magazine
From the magazine:
Editor’s Note, June 2025
By Adrian Matejka
Prose from Poetry Magazine
From the magazine:“A slow and difficult process that verged on the ridiculous”: On Erasure
By Chase Berggrun
Prose from Poetry Magazine
From the magazine:
Writing Prompt: Erasure
By Chase Berggrun
Prose from Poetry Magazine
From the magazine:
On Translating Two Song Dynasty Poems
By Shangyang Fang
Prose from Poetry Magazine
From the magazine:
Editor’s Note, May 2025
By Adrian Matejka
Prose from Poetry Magazine
From the magazine:
Introduction: Escaramuza, the Poetics of Home
By Constance Jaeggi
Prose from Poetry Magazine
From the magazine:“Water to the Brim, Please”: Notes on the Haiku of Maxine Hong Kingston
By Fred Marchant
Prose from Poetry Magazine
From the magazine:A Circle Comes Together
By Chun Yu

Articles

From the magazine:
Wind Crossing Grasses: Poems from China’s Dragon Rivers

From the magazine:How Pantoums Can Tell Intergenerational Stories

From the magazine:
Writing Prompt: Pantoum

From the magazine:
On Translating Dmitry Blizniuk

From the magazine:
On Translating Kim Ok

From the magazine:
Editor’s Note, July/August 2025

From the magazine:On Shame: In the Realm of Death and Awe

From the magazine:On Neediness: Midnight Chimes

From the magazine:On Despair: It’s All a Charade

From the magazine:
On Translating Nakahara Chūya

From the magazine:
On Translating Shizuka Omori

From the magazine:
On Translating bruno darío

From the magazine:
Editor’s Note, June 2025

From the magazine:“A slow and difficult process that verged on the ridiculous”: On Erasure

From the magazine:
Writing Prompt: Erasure

From the magazine:
On Translating Two Song Dynasty Poems

From the magazine:
Editor’s Note, May 2025

From the magazine:
Introduction: Escaramuza, the Poetics of Home

From the magazine:“Water to the Brim, Please”: Notes on the Haiku of Maxine Hong Kingston

From the magazine:A Circle Comes Together

poetry-magazineFrom the magazine:Wind Crossing Grasses: Poems from China’s Dragon Rivers

poetry-magazineFrom the magazine:How Pantoums Can Tell Intergenerational Stories

poetry-magazineFrom the magazine:Writing Prompt: Pantoum

poetry-magazineFrom the magazine:On Translating Dmitry Blizniuk

poetry-magazineFrom the magazine:On Translating Kim Ok

poetry-magazineFrom the magazine:Editor’s Note, July/August 2025

poetry-magazineFrom the magazine:On Shame: In the Realm of Death and Awe

poetry-magazineFrom the magazine:On Neediness: Midnight Chimes

poetry-magazineFrom the magazine:On Despair: It’s All a Charade

poetry-magazineFrom the magazine:On Translating Nakahara Chūya

poetry-magazineFrom the magazine:On Translating Shizuka Omori

poetry-magazineFrom the magazine:On Translating bruno darío

poetry-magazineFrom the magazine:Editor’s Note, June 2025

poetry-magazineFrom the magazine:“A slow and difficult process that verged on the ridiculous”: On Erasure

poetry-magazineFrom the magazine:Writing Prompt: Erasure

poetry-magazineFrom the magazine:On Translating Two Song Dynasty Poems

poetry-magazineFrom the magazine:Editor’s Note, May 2025

poetry-magazineFrom the magazine:Introduction: Escaramuza, the Poetics of Home

poetry-magazineFrom the magazine:“Water to the Brim, Please”: Notes on the Haiku of Maxine Hong Kingston

poetry-magazineFrom the magazine:A Circle Comes Together

From the magazine:
Wind Crossing Grasses: Poems from China’s Dragon Rivers

From the magazine:How Pantoums Can Tell Intergenerational Stories

From the magazine:
Writing Prompt: Pantoum

From the magazine:
On Translating Dmitry Blizniuk

From the magazine:
On Translating Kim Ok

From the magazine:
Editor’s Note, July/August 2025

From the magazine:On Shame: In the Realm of Death and Awe

From the magazine:On Neediness: Midnight Chimes

From the magazine:On Despair: It’s All a Charade

From the magazine:
On Translating Nakahara Chūya

From the magazine:
On Translating Shizuka Omori

From the magazine:
On Translating bruno darío

From the magazine:
Editor’s Note, June 2025

From the magazine:“A slow and difficult process that verged on the ridiculous”: On Erasure

From the magazine:
Writing Prompt: Erasure

From the magazine:
On Translating Two Song Dynasty Poems

From the magazine:
Editor’s Note, May 2025

From the magazine:
Introduction: Escaramuza, the Poetics of Home

From the magazine:“Water to the Brim, Please”: Notes on the Haiku of Maxine Hong Kingston

From the magazine:A Circle Comes Together