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Gary Snyder began his career in the 1950s as a noted member of the “Beat Generation,” though he has since explored a wide range of social and spiritual matters in both poetry and prose. Snyder’s work blends physical reality and precise observations of nature with inner insight received primarily through the practice of Zen Buddhism. While Snyder has gained attention as a spokesman for the preservation of the natural world and its earth-conscious cultures, he is not simply a “back-to-nature” poet with a facile message. In American Poetry in the Twentieth Century, Kenneth Rexroth observed that although Snyder proposes “a new ethic, a new esthetic, [and] a new life style,” he is also “an accomplished technician who has learned from the poetry of several languages and who has developed a sure and flexible style capable of handling any material he wishes.” According to Charles Altieri in Enlarging the Temple: New...
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Poems By Gary Snyder
- February
- Through the Smoke Hole
- Things to Do around Seattle
- The Rabbit
- The Hudsonian Curlew
- Saying Farewell at the Monastery after Hearing the Old Master Lecture on “Return to the Source”
- Seaman’s Ditty
- Above Pate Valley
- Milton by Firelight
- Piute Creek
- Mid-August at Sourdough Mountain Lookout
- Waiting for a Ride
- The Bath
- I Went into the Maverick Bar
- Meeting the Mountains
- Burning Island
- A Dent in a Bucket
- Four Poems for Robin
- A Maul for Bill and Cindy’s Wedding
- Kyoto: March
- Endless Streams and Mountains
- Old Bones
- Night Song of the Los Angeles Basin
- The Dance
- Finding the Space in the Heart
- Axe Handles
- Getting in the Wood
- Old Woman Nature